I’m slightly red-green color blind. Yet at this stage of my career, I have to do all my own color correction. Impossible? Well, maybe if I were REALLY color blind it would be. I can eyeball most colors just fine, but the ones I have a hard time with are flesh tones. That’s why I’m so excited about the latest update to Red Giant’s amazing Colorista cool. Because hidden within the interface is a secret weapon that Colorista II inherits from Magic Bullet Mojo called “show skin overlay.” When enabled, it literally lays a grid over your clip’s flesh tones, telling you when you’ve got it right. Here’s how it works.
Color correction for the color blind?
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