Monthly Archives: April 2012

Traveling with a pair of CN-900 Led lights

I just returned from a week of shooting in a remote part of Alaska, a trip that I unfortunately can’t talk about because of a client non-disclosure agreement. But what I CAN talk about is a few lessons I learned about equipment: what gear to take, what NOT to take, and how to pack it.

First up: I want to talk about CN-900 LED lights, after I found this note waiting this morning from one of my blog readers, Jason:

“Dan, What kind of a case do you use to pack these up? The soft cases leave a lot to be desired.”

I packed both of my CN-900 lights on this trip, and ended up using only one of them. Lesson: One LED panel goes a long way when you’re on the road, working in stressful conditions where you have to set up quickly. I was relying on these lights to fill and augment the already existing light, so one light turned out to be enough. But I was glad I had the second one, just in case.

I have a Pelican 1550 case, and discovered that by removing the padded dividers and adding some 1″ foam that I picked up at Fred Meyer, I was able to fit both lights and their cords. But this required unscrewing the yokes and packing them separately, as they were too big to fit. This was a minor inconvenience, because it takes a minute to screw the yokes back on before the lights are ready for use. But what happens if you misplace the yokes? Luckily, that didn’t happen. But I’d really prefer to have all of the lights in one case, ready to go as soon as they are pulled out. And, I had to leave the assembled light out of the case when I was using it, because it was too big to fit back into the case once assembled. But this was offset by the fact that the 1550 is a nice small case.

One of the best things I did before the trip was to rent a powerful V-mount battery to power one of the lights. It made using the light massively easier than having to carry an extension cord and hunt for plug in ever time I needed to set up. Being untethered was the difference between using and not using the light on more than one occasion.

I have a rule: ALWAYS use a sand bag when placing a light on a stand. But because I was traveling, I decided paying an airline to ship sand didn’t make any sense, and that I would just be extra careful. Guess what? I backed into the light while moving around my subject filming. And the light, which was extra top-heavy because of the heavy battery, went crashing to the floor. Amazingly, it continued working. But it left a big dent in the light’s metal housing (see photo).

One thing about this incident: it speaks highly of the construction build of the CN-900. I once dropped a LitePanel Micro Pro about 2 feet onto a hardwood floor, and it died instantly. I had to send it back to LitePanels for repair, which they didn’t charge me for, but nevertheless, I was without the light for about 10 days. The CN-900 took a severe beating and kept working.

Web video-making for entrepreneurs

One of the biggest challenges that early-stage entrepreneurs face is getting the word out about their business. At that stage of growth, most new ventures simply don’t have the money to afford a professional video production. So we’ve been thinking: if you’ve got a smartphone, you’ve already got a fine video camera. With just a few extra devices costing less than $100, it’s fully capable of producing professional results. But do you know how to use it effectively and quickly? We’d like to show you how.

On Saturday, Lisa Cooper and I will teach an all-day workshop designed to show entrepreneurs how to use the camera they own today, to tell their business story. Web video-making for entrepreneurs will explore what works – and what doesn’t – specifically for anyone with a business to promote.

We’ll spend the morning teaching the how-to basics, and reviewing examples. In the afternoon, the maximum 12-person group will actually create a short web video using an iPhone and iMovie. We currently have 7 signed up and just 5 spots left, so sign up today if you’d like to join us. You’ll learn tips and tricks that can’t be learned from books, to give you the confidence to start using your inexpensive video camera to its fullest right away.

Black Magic BMD Cinema: A camera worth getting excited about

There’s been a lot of development in cameras lately. But I’ve been sorely disappointed to see Canon stuff almost all the goodness into cameras they’ve chosen to price at $10 – $15k or more, while making barely credible improvements to the 5d mkiii and raising its price to $3,500. I was beginning to feel like the big guys were only making cameras for the big guys. But today, Black Magic changed all that. With this:

I can’t wait to get my hands on this insane piece of camera tech.